Barry Power

Offical Site of Melodic Indie songwriter Barry Power.

Filtering by Category: Startup

039. Full Stack Creative

The artist is the medium between his fantasies and the rest of the world.
— Federico Fellini

I first heard the term full stack creative from a digital online music marketing company called Indepreneur. The term is borrowed from the web development world. It is the idea that a full stack developer is someone who is fluent in many different areas of the so called tech stack. Simply put a tech stack is all the online infrastructure needed to run a digital business from the web design thorough to email marketing and ecommerce. Now I don’t really know much about tech stacks but when this concept was superimposed over a creative stack so to speak it started to make a lot more sense to me. 

I have always held the belief that If I can be creative in one area then it follows that I could be creative in another. Much like the way a good athlete might be very proficient at several sports all at once. It is only time and practice that makes one of them more dominant than the other. Before I get too excited about being brilliant at everything.I want to add a caveat to all this. I think as an adult especially one who has spent a lot of time on a particular field it can be equally as frustrating and ego challenging as it can be rewarding to try to express yourself in another medium. 

I think a good analogy for this would be to imagine you like cooking Jamie Oliver style. Where you add your ingredients by rough estimates, intuition and taste. Over time you get better and more confident and your meals start tasting great. One day you decide well “Im good at this so naturally I should try baking”. But although baking is kitchen related its techniques are very different. You need to be much more specific with your measurements, cooking times and oven temperatures. So it starts to fly in the face of your usual improvisational culinary style. 

So in an effort to stay true to this new found philosophy. I have decided to stack several brand new projects and challenge myself to get them all off the ground.

On june 19th I will be running my first crowdfund campaign to help with the completion and release of my debut album “Of Little the instant”. The launch will be a unique interactive experience. I am really excited about it and can’t wait to share it.

Project no2. is a podcast I am developing called from the Maker to the Made where I will be having long form discussions about the overarching issues of life as a creator and the ups and downs of the creative process as a whole. I am currently looking for guests for this so if you are a musician, photographer ,filmmaker or anyone who makes something creatively I would love to hear from you. Email me at fromthemakertothemade@gmail.com please include your links where I can check out your work.

Project no.3 is to improve my youtube channel which is at the moment rocking a total of 0 subscribers so the only way is up from here.

I will be updating the progress of all these things here on the blog but if you would like to know more about any of the projects please consider signing up to my mailing list here so I can let you know the minute the official release dates are announced.

Please leave a comment and let me know what you think!

Ps.

At the beginning of this blog I mentioned a company called Indepreneur. I can’t recommend this company highly enough if you are trying to improve your skills as an online creative and particularly if you are a musician who like me was clinging on to the archaic version of the music industry where your art was being released into the ether with only a vague hope of some sort of interest. To learn more about them check out the youtube channel conveniently called full stack creative or their podcast Creative juice.

038. Whats in a name?

It ain’t what they call you, it’s what you answer to.
— W.C. Fields

Words can be so powerful, and none more so than the words we use to describe ourselves. The titles we choose to assign ourselves represent who it is we think we are. What we don’t always realise, is that held within these titles are limitations. Self imposed ideas of what we think these titles represent. Although this could be part of a much broader discussion. I’m interested in how it applies to us creative types. 

I am a guitar player. That is a name I have self assigned for more than 20 years of my life but what does that even mean? Well for me it means that I live and die by what I think of as being a good player. This of course is a total fallacy built completely on my own pre-conceived notions of what I think a good guitar player should actually be.

If I sit behind a drum kit I don’t suddenly identify myself as a drummer. However through this I am totally free to express myself on that instrument however way I want to. I can’t possibly fail because I can’t play these things anyway. There is freedom in being ignorant to all the vaults of preconception rattling around in my head that goes along with being somewhat proficient at something. 

I recently had to learn a song for a gig. The guitar part wasn’t particularly difficult but I just couldn’t figure out exactly what was going on. The reason I think was because whoever wrote the part wasn’t using traditional concepts. I don’t think they were being clever. I think it was probably due to that they didn’t learn the guitar in systematic logical way using regular scales and voicings.  This created something really unique that a so called self identified guitar player may never even think of. They made something new from a non-learned place. 

For the past few months I have been working on starting a new podcast and practicing for more regular content for my YouTube channel. I am becoming more aware that to be a modern musician requires a more holistic approach which means I need to become more comfortable with many many more titles. To become a full stack creative, so to speak, a jack of all trades, a digital renaissance man.

My plan for when I am trying to launch all these new things, that I can’t really do yet, is to try not greet them with a sense of inadequacy. Instead, embrace them with that feeling of discovery and fearlessness, like sitting behind a drum kit and not being able to play it but being cool with that. Not to put a cap on myself that a pre-ordained title would bring but to leverage that feeling when it comes to maneouvering this ever changing landscape of the utility man.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

037. Accentuate The Positive

I often think that the night is more alive and more richly colored than the day.
— Vincent Van Gogh

The negativity bias is the idea that whenever we are presented with two equal choices one positive and one negative we tend to favour the negative much more often than it’s counterpart. It seems we are just wired this way. Somewhere down along the evolutionary ladder biology decided we needed to be more sensitive to the bad than the good.

Recently I posted a video of me performing a song. The post did pretty well and had loads of comments saying very nice things. Except for one which of course stood out above the rest, this one comment said the music was derivative and they basically didn’t like it. Now the rational mind goes “Thats cool, it’s the internet you’ll get things like that, don’t worry” But it stayed with me more so than the many more positive comments. 

I realised that it happens all the time. For instance If I play a gig, I might not remember the ten songs that I played perfectly but you can bet that I'll remember the one where I fluffed a note or sang out of tune.

I have been thinking about this all week and how it relates in general to the way I work. I Wrote the first draft of this blog on Tuesday. I wasn’t happy with the idea so I scrapped it. This happens quite regularly so I didn’t think too much about it. I tried again on Wednesday and the same result. By Thursday the negativity bias kicked in and I didn’t even try because I had presupposed that whatever I wrote was bound to be really bad.

The thing I really want to know is, is the negativity bias useful? Does it really keep you getting better at something in a constructive critical thinking kind of way or does it just hold you back?

As a musician I have to practice a lot. I practice all sorts of things that need improving songwriting, rhythm, production, singing, scales, arpeggio’s music to prepare for gigs. But in all of these things I practice. I don’t think I have ever actively tried to practice looking for more positives. I wouldn’t consider myself an overly negative person, I’m not Eeyore. But, now that I am aware that as a humans we lean a lot more toward the negative in general, it’s like realising something that you can’t unsee.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

035. Anchors

It’s easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn’t. In a lot of cases, less is more. In most cases, less is more.
— Herbie Hancock

How many tabs are open on your browser? Usually, for me, it’s a lot. So much so I get lost. I skip from one thing to the next until I’m not actually sure anymore if what I’m doing even resembles work anymore. I don’t mean that I have gotten side-tracked by my shiny object syndrome and fell down the amazon black hole; Although that definitely happens sometimes. I mean when there is too much platform hopping.

In a typical day I can usually get around 2-3 hours that I can dedicate to my own music business this includes writing and recording, so Its important that I am productive when I get that time. Typically, what happens is, I’ll start with some recording. I’ll open up logic and try to nail down one task and get it done, a bassline or maybe some mixing. As the clock is ticking I wrap that up and move onto maybe some emailing. Then a little bit of blogging and finish up with some ad copy or podcast prep. 

The point is that by the time I am done with my block of time I have jumped through several different areas. I guess it would be like someone working for a big company deciding to spend the morning in Marketing the afternoon in research and development and the evening in the canteen serving food. 

This kind of juggling is not my strong suit. I am always looking for Anchors. Anything that can keep me in the right place in terms of the specific task I am doing. I have done some research and there are several online solutions to these problems like the pomodoro technique or any amount of companies offering a get your shit together spreadsheet. But I find that the task of organising my tasks becomes another task.

Maybe its just the way my brain works sometimes I feel like that dog in the movie UP reacting to what is directly in front of me. I get so lost in the mire of bits of jobs its hard to remember what Im supposed to be doing the first place.

So this week it’s a plea for any tips, tricks and advice to help to keep on point with work tasks. I would love to hear what your Anchors are what are the things that keep you on track or anything that worked well for you.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

The brand new podcast version of this blog is now available here.

033. Killing it.

One of the best pieces of advice I ever got was from a horse master. He told me to go slow to go fast. I think that applies to everything in life. We live as though there aren’t enough hours in the day but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
— Viggo Mortensen

There is a certain way of thinking in the modern zeitgeist that is about being so busy and so productive so as to be almost superhuman. In fact super humans are so pervasive in our culture now that our role models can literally do impossible things. Even the word super has infiltrated our language way more than it should. I’m superbusy at the moment or this coffee is superstrong. We now have a world of go hard or go home and all the new buzzy adjectives that go along with it killing it, crushing it, owning it.

There is an ever increasing pressure to be busier and more productive. Always on top of your game grinding in those extra hours that all your rivals are not doing.  A fight like mentality, where success is some sort of aggressor to be overthrown and the only way to do it is to lay everything you have on the line constantly regardless of how this effects you and your life. Living in a perpetual state of stress. Caffeinated and adrenaline wild, making sure all these slightly out of reach deadlines are being constantly met and you are killing it everyday. I don’t think it really matters what kind of job you do either because the pressure to be always on it is a myth perpetuated by the modern age that no-one is immune to. 

I have found that conversely to this, in trying to become more creative in my life I need to be in the total opposite state of mind. I need to have the space, the quiet and the calm to let my mind wander and dream up ideas. I don’t mean in a vacant daydream kind of way. I mean in a flowing stream of consciousness kind of way. Like when you go for a walk and the solution to a problem pops into your head out of the blue. The more I hold on to deadlines and self imposed pressure to get things done the tighter Im gripping my creative flow and consequentially the less productive I am. 

Don’t get me wrong hard work needs to happen but this all pervasive attitude to be turned on all the time just seams so unbalanced and unhealthy to me. If I try to follow the chain logically then the burnout would negate any good work that I think I would be getting done. 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

The brand new podcast version of this blog is now available here.


032. Raw Footage

When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest.
— Stephen King

Sometimes the best solution to a problem is by simply changing the angle at which you view it from.  As if someone turns on a light in a part of an overfamiliar room to illuminate your missing shoe. You knew it was there all along but couldn’t quite remember where exactly until that flick of a switch. 

Over the past few months I have been working through a book called The Artists Way by Julia Cameron. For anyone who is interested in getting a bit more creative in your life in general, I would highly recommend it. There are countless lessons to be taken from the first reading. Although, I suspect I will be revisiting this book again many times in the future. One of the most valuable I have found is the idea of creating from a place of abundance as opposed to scarcity.

I’m going to use songwriting as my example but I feel it could be applied to whatever your chosen field is.

From when I first started writing I only really saw one way to go. If I had a verse I would write the six or eight lines that I needed and then move on and write the four lines for the chorus then move on. I only ever wrote what I thought was necessary. This made the writing far more challenging than it needed to be because I was always only trying to find my best four lines. 

It never even occurred to me to write any more than what I felt I needed. Before I even put pen to paper the line had to be great, otherwise I would discard it and move on. It was this throwing away that was really my biggest mistake. It left me with almost nothing to draw from, not only this but I was totally dismissive of 99% of all my work. If it wasn’t a killer line; Bang, gone, never to be heard from again. 

The angle from which I viewed my problem changed completely by doing the very first exercise from The Artists Way. It’s called morning pages and its premise is quite simple; three pages of stream of conscious writing every day where the only goal is to write. It doesn’t matter about what, just whatever comes into your head even if that is the repeated line, “I can’t think of anything to write” or “all work and no play makes Jack a something something”. 

At first its seems so pointless, pages and pages of disparate ideas and random thoughts, but, over time it becomes something else. It’s like opening up a dialogue with yourself where you start to tune into subtle ideas and thoughts, that, had they not been written down, would be gone forever. 

I have found that part of the function of these pages is to help unblock any creative obstacles and it does that in sometimes uncomfortable ways. It was only after a few months that I found I had pages and pages of writing, way more than the brief sketches and outlines of songs I used to put into my notebooks. 

This may seem really obvious but It took me a long time to get into my head that writing and editing should not be done simultaneously, they need to be separated. The time to judge your work is not as you do it, but after the fact, when it’s done when it’s written down when it already exists. The way I work now is by fishing through all of the collective work, all those scraps, half thoughts and throwaway ideas until I can find my best four lines from that. I mean you cant have hindsight for something you never wrote down or you can’t remember.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

029. The revolution will be live streamed

Like art, revolutions come from combining what exists into what has never existed before.
— Gloria Steinem

This is for musicians, how much of the following do you believe is true for you?

There is no way to make a living from making your own music. You have to be really lucky to get a break. You have to gig every tiny non-paying pay to play venue at the bottom of every bill to pay your dues. To release music you send it to your online distribution company who delivers it to iTunes and Spotify, you send a couple of tweets, post it on Facebook and all your hard work and effort in making your art gets boiled down to sheer luck. 

Imagine you wanted to open a coffee shop. Coffee was your life you loved it and you knew that your coffee would make people so happy. Now imagine that you decided you would set up your shop next door to ten other coffee shops. Now imagine that you only opened three days a week but you didn’t tell anybody which three days it would be. Next, imagine that you hired someone to sell your coffee for you and instead of charging your regular price they charged people a tiny fee and gave you back .0000009 of a cent on each cup. Now picture yourself going to the bank and trying to negotiate a loan for your coffee business. If you were the bank manager how do you think it would look.

Now I can only speak for myself here but I have a strong belief I am not alone. This was exactly how I thought about being an independent musician. The music will win if its good enough it will connect. If I am lucky a song will explode and go viral, whatever that even means, exposure? opportunities? money? fame? 

If you are reading this thinking, you didn’t really think like that did you? let me add this caveat, the way the music industry evolved was unlike any other sane business model, it is too long to get into it here but suffice to say that thinking your career could suddenly break overnight and propel you to fame and fortune wasn’t outside the realms of possibility.

What polarised my view from fantasist to pragmatist was how the next generation of independent musicians were leveraging that great leveller, the internet. In particular, a company called Indepreneur their overarching philosophy is simple, autonomy in your career. Running it with the same efficacy as a small to medium-sized business. Still making the best coffee, but instead of letting it go cold on the table, finding the perfect people who will enjoy it most and pay you the right price for it. Not because you want to be the next Starbucks but because there is a real and tangible sea change for indies.

Now imagine a world where more and more musicians take control of their own destinies. A new generation making art not to let it slip into the ether but delivered thoughtfully and deliberately into the hands, ears and minds of the people who will appreciate it most of all.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

 

028.Deadlines and the accidental tourist

A deadline is negative inspiration. Still, it’s better than no inspiration at all.
— Rita Mae Brown

Deadlines, I missed one…well, actually I missed two but who’s counting? When I started writing these blogs I fell into a weekly format and that really suited me, daily is too much and monthly is too long, but weekly felt just right. When you work as your own boss or at least your own time manager keeping self-imposed deadlines can be tricky there are no real repercussions if you miss any, other than how hard on yourself you are, lucky for me I have a very understanding boss who pretty much lets me do whatever I want. This is not always helpful. Anyway, I am back in a writing chair this week and I want to give you my excuse.

I missed these particular deadlines because I had a grand notion of trying to turn the blog into a vlog and I underestimated both the time it would take and more importantly my skills as a filmmaker which are at the moment zero. I have watched movies and tv undoubtedly too much, I watch Casey Neistat’s daily vlogs. I have a HD camera in my pocket, I have pithy, epigrammatic ideas about what its like to be an independent musician in the modern age this should be easy right? 

It's like that feeling you get when your watching football, if you were to be suddenly transported to actually being the keeper would you have the real-life skills to actually make the save you were so hypercritical of from your couch? probably not, and neither was I.

I fell into that conceit of the zeitgeist, The instant fix, I was trying to do a hack. Take the red pill and wake up in the matrix where I could download a particular set of skills and instantaneously unleash my inner Stanely Kubrick (good thing I was reserved about my expectations!)

So long story short this blog is not a vlog yet but it will be evolving soon whenever I can make a deadline I can stick too!

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

026. You give what you get.

Creativity requires input, and that’s what research is. You’re gathering material with which to build.
— Gene Luen Yang

I am a diarist, a very inconsistent one, but for some reason over the years, I have kept diaries of some kind. Occasionally, I end up going back through them and I start to notice the repetitive trains of thoughts and ideas. I tend to move in cycles where I swing from being totally committed and productive to the exact opposite where I let things slide for a few weeks and convince myself I’ll never get back to being productive again. For me, it's a little bit like being on a diet where I eat healthily for a few weeks, then one weekend gorge on delicious things and when Sunday rolls around decide, “well there goes the diet so I may as well not even try anymore.” and so the cycle continues. 

When I am on the bad side of the sliding scale, I’ll often turn to things that influence me more and more. I’ll stay up late watching movies or youtube videos about music theory or listen to podcasts about composing or songwriting in general. Anything to regain that spark that motivates me into action. But what if the inaction is as important as the action? What if there needs to be time and space to absorb and let the life experience strain through the mind sieve? 

The way I see it, being a creative person is like being a chef trying to make a new dish, every now and then you need to hit up the market and see what new ingredients are available. But when you have nailed down what you want to use, you still have to make it into something that is worth eating and that takes time. Unfortunately, it has its own deadlines. I can’t really decide when its a time for input or a time for output. I just try to be more aware of which time I'm in and work with that, diaries definitely help.

It is so easy to see these fallow times as being frustrating and ineffective when in reality they are a hugely necessary step in the process, well in my process anyway. 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

025. Subjective matter

An optimist is a person who sees a green light everywhere, while a pessimist sees only the red stoplight... the truly wise person is colorblind.
— Albert Schweitzer

How do you see the world? I have often been asked this question and not for the reasons you may think, I get asked this because I have colourblindness, nothing severe or life-threatening or anything like that, it just means I'll probably never fly a plane but thanks for the concern. I have a hard time defining colours like brown and purple. I find people are so fascinated by what I see or in this case what I don’t see. I don’t really have an answer, I tell them I see the way I see. It is purely subjective to being me, just like the way you may see yellow or green is purely subjective to you.

Whatever way my genes and biology decided to organise themselves is my reality. It is how I view the world. This translates fluently into being an artist. Your view of things and how you see the world as an artist is totally unique to you. Try as you might to explain it to someone you always fall short. Just as my blue is my blue your blue is your blue. 

The only way to even come close to explaining is to show it through your work, your painting photography or in my case music (insert “but where is your music? joke here”) In a way I often see being creative as a personal attempt to try to explain that colour you can’t quite see.

The artistic process is like holding a personal mirror to the world you see. What makes it amazing is that everyone has a totally unique view of it. your art is unmakeable by anyone else. Therefore if you don’t make it, it will not exist. Think about it, there could be a whole shade of colour never quite seen by anyone except by you. If ever there was a motivation to go do something that’s it.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

022. Do your research.

Communication leads to community, that is, to understanding, intimacy and mutual valuing.
— Rollo May

The first thing that you will learn from the music marketers is to define your genre, your niche where does your music fit on the music map? What does your music sound like? what other artists are you like? From there you can springboard into finding the people who might be likely to have an affinity for your music. There are a few ways of doing this; If you are a Spotify user, you can create a radio from your soundalike artists and an algorithm will compile a playlist of similar music or for a cool visual map of every genre you could think of check out Every noise at once.

For me, it was an eye-opening experience. I never cared that much about genres or being pigeonholed into being this way or that, I wanted to be unique, free of the confines of style. This, of course, was more ego massage, as I am prone to doing. Of course, I sound like people! and that's a good thing I want to sound like people it helps me to make the music I would like to hear myself. So I went to research land to try and define what my music was like. 

At first, this was not a job that sounds like fun but as with any task that has resistance it has big rewards. The more soundalike artists I found, the more familiar patterns were in the orbit around them. A band could lead to a movie I hadn’t seen, or a book I hadn’t read, or a comedian I hadn’t heard before. Researching these artists was in a way like researching myself and it really couldn’t have been any other way, could it? It was like taking a tour of all the things that I was interested in; Like the way Netflix will recommend something as a 97% match. 

An amazing thing I have found is that there are so many people out there with the exact same interests and tastes. For everything, I found there were hundreds of comment threads, likes and shares for the same things. There was a heartbeat to it, a community, a tribe.

And so for the last paragraph, I am going to go a bit meta. What have I learned? For all the anonymity and seaming vastness of the online world, it appears that we are still trying to break out into small little Islands to find our communities and our tribes. Not only this but the advancement of machine learning and algorithms means that the digital landscape is sending these like minds to similar places. I am not naive enough to think that this is not a frightening prospect but nor am I cynical enough to feel that this is the doomsday machine. I believe, for the optimistic among us, that this means a way to connect, a bridge for ideas, advancement and creativity.

If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

021. Absolute beginners.

I’m an artist, and if you give me a tuba, I’ll bring you something out of it
— John Lennon

When I started to play in bands as a teenager, I was lucky enough to be adequately proficient at playing my chosen instrument, namely the guitar, that I didn’t get landed with the role of being the bass player. At the time, the bass player in the band was always the person who said, "Fine, everyone is playing the cool instruments so I’ll take one for the team and play the bass." Bass players, don’t hate me, I am going somewhere with this and besides this is what happened to Paul McCartney in the Beatles so you are in good company. 

In my experience, not one of my friends who decided to take on this, or any other instrument, has ever regretted it. Not because of the usual, learning an instrument is really rewarding stuff, but because being forced to think about the way a different instrument functions made them appreciate music in a way which they may have never gotten to otherwise. However, I think there is an even more profound side effect; Choosing a foreign instrument allowed them to be more creative.

I feel that so much of the creative decision making can be caught up in identifying yourself in a certain way. I'm a guitar player, therefore, I play like this or I try to put more and more flashy techniques into songs to prove what a good guitar player I am. I think that the people who adopted different instruments have a great luxury in whatever they play because they don’t have the weight of their own preconceived notions.

For me it's the piano, I love to play it, I love to write on it, but I would never call myself a piano player and this is the beauty of it. Because it's not me, I am free to use it in whatever way I want. If I play a weird voicing of a chord that a trained player would never use, it's fine, because I'm not a piano player; If I don’t have independence with both hands, It's fine, because I’m not a piano player.

Look at how many great songs were written by people who were not trained in music. They were free to put things in whatever way suited them. They didn’t have to be bound by the regular rules because they didn’t know what the rules were. 

I think one of the greatest ways out of a creative rut is to pick up an instrument you can’t play and write with it, or try to approach your own instrument in a new way. For guitarists I recommend playing with your bad hand I guarantee whatever you play will be unique.

If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

004. Digital Kung Fu

The Renaissance man did a number of things, many of them well, a few beautifully, he was no damned specialist
— Lucius beebe

The Original meaning of Kung Fu doesn't just apply to martial arts. It is the Practice of any discipline or art that takes time and effort to attain. You could say that anyone who has achieved a level of mastery over a particular skill is a person with good Kung Fu. Anyone can have it if you know a really good plumber they could be said to have good Kung Fu.If you know a good tea maker you can say they have good kung fu.

Traditionally, it was also quite common for a person pursuing a life of Kung Fu to have a mastery, or at least an in-depth understanding, of many other different arts and skills. You could be a skilled martial artist but also a skilled Painter or writer. There wasn't a pigeonhole to say I am only this, you could be many things.

I always felt that being a musician defined me as such. As a musician, I allowed myself to be good at music but not other "things". Promotion? nope, I can't do that, Marketing? nope, I can't do that. Running a business? the list goes on. 

Starting a business online by yourself means having to figure out a lot of different skills, and If you close your mind to only believing you are one thing means other areas will fail, or at least not be approached with confidence. It would be like putting a Ferrari engine in a Volvo, unbalanced.

 So what to do?

Firstly,  abandon the titles, Musician, Artist, Promoter, whatever you choose to call yourself does not define you. As a person of Kung Fu, you are all these things and none of them at the same time. 

Secondly, Embrace the idea of applying your skill level in your specific area to all the other areas. If you're already a person who knows how to achieve in one place, you can achieve in another.

It's the digital renaissance, master one thing and master many, Be a person of Kung FU.

 

Before you say anything, I know there are no belts in Kung Fu.

Before you say anything, I know there are no belts in Kung Fu.