Barry Power

Offical Site of Melodic Indie songwriter Barry Power.

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037. Accentuate The Positive

I often think that the night is more alive and more richly colored than the day.
— Vincent Van Gogh

The negativity bias is the idea that whenever we are presented with two equal choices one positive and one negative we tend to favour the negative much more often than it’s counterpart. It seems we are just wired this way. Somewhere down along the evolutionary ladder biology decided we needed to be more sensitive to the bad than the good.

Recently I posted a video of me performing a song. The post did pretty well and had loads of comments saying very nice things. Except for one which of course stood out above the rest, this one comment said the music was derivative and they basically didn’t like it. Now the rational mind goes “Thats cool, it’s the internet you’ll get things like that, don’t worry” But it stayed with me more so than the many more positive comments. 

I realised that it happens all the time. For instance If I play a gig, I might not remember the ten songs that I played perfectly but you can bet that I'll remember the one where I fluffed a note or sang out of tune.

I have been thinking about this all week and how it relates in general to the way I work. I Wrote the first draft of this blog on Tuesday. I wasn’t happy with the idea so I scrapped it. This happens quite regularly so I didn’t think too much about it. I tried again on Wednesday and the same result. By Thursday the negativity bias kicked in and I didn’t even try because I had presupposed that whatever I wrote was bound to be really bad.

The thing I really want to know is, is the negativity bias useful? Does it really keep you getting better at something in a constructive critical thinking kind of way or does it just hold you back?

As a musician I have to practice a lot. I practice all sorts of things that need improving songwriting, rhythm, production, singing, scales, arpeggio’s music to prepare for gigs. But in all of these things I practice. I don’t think I have ever actively tried to practice looking for more positives. I wouldn’t consider myself an overly negative person, I’m not Eeyore. But, now that I am aware that as a humans we lean a lot more toward the negative in general, it’s like realising something that you can’t unsee.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

026. You give what you get.

Creativity requires input, and that’s what research is. You’re gathering material with which to build.
— Gene Luen Yang

I am a diarist, a very inconsistent one, but for some reason over the years, I have kept diaries of some kind. Occasionally, I end up going back through them and I start to notice the repetitive trains of thoughts and ideas. I tend to move in cycles where I swing from being totally committed and productive to the exact opposite where I let things slide for a few weeks and convince myself I’ll never get back to being productive again. For me, it's a little bit like being on a diet where I eat healthily for a few weeks, then one weekend gorge on delicious things and when Sunday rolls around decide, “well there goes the diet so I may as well not even try anymore.” and so the cycle continues. 

When I am on the bad side of the sliding scale, I’ll often turn to things that influence me more and more. I’ll stay up late watching movies or youtube videos about music theory or listen to podcasts about composing or songwriting in general. Anything to regain that spark that motivates me into action. But what if the inaction is as important as the action? What if there needs to be time and space to absorb and let the life experience strain through the mind sieve? 

The way I see it, being a creative person is like being a chef trying to make a new dish, every now and then you need to hit up the market and see what new ingredients are available. But when you have nailed down what you want to use, you still have to make it into something that is worth eating and that takes time. Unfortunately, it has its own deadlines. I can’t really decide when its a time for input or a time for output. I just try to be more aware of which time I'm in and work with that, diaries definitely help.

It is so easy to see these fallow times as being frustrating and ineffective when in reality they are a hugely necessary step in the process, well in my process anyway. 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

025. Subjective matter

An optimist is a person who sees a green light everywhere, while a pessimist sees only the red stoplight... the truly wise person is colorblind.
— Albert Schweitzer

How do you see the world? I have often been asked this question and not for the reasons you may think, I get asked this because I have colourblindness, nothing severe or life-threatening or anything like that, it just means I'll probably never fly a plane but thanks for the concern. I have a hard time defining colours like brown and purple. I find people are so fascinated by what I see or in this case what I don’t see. I don’t really have an answer, I tell them I see the way I see. It is purely subjective to being me, just like the way you may see yellow or green is purely subjective to you.

Whatever way my genes and biology decided to organise themselves is my reality. It is how I view the world. This translates fluently into being an artist. Your view of things and how you see the world as an artist is totally unique to you. Try as you might to explain it to someone you always fall short. Just as my blue is my blue your blue is your blue. 

The only way to even come close to explaining is to show it through your work, your painting photography or in my case music (insert “but where is your music? joke here”) In a way I often see being creative as a personal attempt to try to explain that colour you can’t quite see.

The artistic process is like holding a personal mirror to the world you see. What makes it amazing is that everyone has a totally unique view of it. your art is unmakeable by anyone else. Therefore if you don’t make it, it will not exist. Think about it, there could be a whole shade of colour never quite seen by anyone except by you. If ever there was a motivation to go do something that’s it.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

024. The Why

The hardest thing is to listen to your instincts, your human personal intuition it always whispers; it never shouts
— Steven Spielberg

I sat at the piano today and I started putting together a chord progression. There was an idea I found online about changing chords in a minor key. So I put the metronome on and started cycling through the chords and singing some gibberish words over it trying to shape a melody on top. This is very typical of how I like to write. I was just about to record a little section into my phone when I realised something which may seem very obvious to other songwriters. I have even heard and given this advice before but for some reason it had never really stuck with me. I had no real Why for what I was writing other than just a technical exercise about chords. 

It is never about the how, it is always and always has to be about the Why. Anyone can put together some chords in a row, but what was I trying to say with those chords, why did I want to use them in this way. I couldn’t come up with an answer. 

The Why, in my opinion, is the most powerful element of art. There has to be the reason to see it through. Be it the unrelenting emotion bursting through or the story that you simply have to tell. What is the reason behind what you are doing and what you are creating?

For me finding the Why is the most elusive part of creating anything. Whats more it is usually the very last thing I try to do, or I mostly try to avoid it altogether.  You know sometimes when you have a really important job to do, so you make a list, and put it at the very bottom do any other job to avoid doing that one. Like, “I’ll just clean the house then I’ll do it” or “I’ll do it after I make this cup of coffee”, I’ll do it later and later and later. 

The how is easy, think about it as a filming analogy all of us have a camera in our pocket that is capable of shooting a cinema quality film. Why then are we not all filmmakers? The reason is our Why. Most of us, I would argue, would have a similar outlook to myself when I say, “but there is nothing to shoot” or “I can’t do that”. But equally look at youtube, there are millions of filmmakers and vloggers making the everyday extraordinary. They are the people that look for the story in their day, what life is trying to tell them moment to moment and shoot that.

I so often preoccupy myself with the how, because I know the how, chord structures, harmony rhythm. The Why is not so easily found and that is probably why I avoid it so consistently but that is exactly why it is so important. It gives the creedence to what you are making. It is the real truth of what you do. It the small voice of inspiration that you need to be always aware of.

Please leave a comment and let me know your WHY! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

 

008. Children of the resolution

The most important thing about art is to work. Nothing else matters except sitting down every day and trying.
— Steven Pressfield

Happy new year! I Don't know how you feel about coming into a new year, but I have always found that there is a great feeling of possibility. The air is fat with promise, like the reset button has been pushed and It goes back to zero again.

And normally, I would start making plans, resolving to do things until my list gets longer and longer, but oftentimes, the longer it gets the less likely it is to happen. I swamp myself in thinking, but thinking is not doing; it is thinking about doing. There is a certain satisfaction in making a plan, it's like having a safety net. When I write something down, it is like I have already done it. But it is an illusion of control; having a plan doesn't really mean anything, it's just a list of things that are written down. In the same way, resolutions are just a list of things written down, they are not real.

Don't get me wrong; I am not against resolutions and plans in general, this is just what I have found to be true for myself. There are plenty of people out there who are amazing at resolutions, seeing them through and holding themselves accountable; it's just I am not one of them. You know the type of shoot first, ask questions later people? That is not me. I tend to ask questions first and people would have died of boredom long before I pulled the trigger.

So this year I am making one resolution and that is to DO MORE. I find that my biggest problem is that I think too much, I analyse things, I make too many lists and I have too many plans. In a way, by even making a resolution I feel like I have already set myself back. I think of all the things that I would like to achieve this year and instead of actually going out and doing them, I make a plan instead.

To get a little deeper for a minute I think there is also a philosophical parallel, if you examine life too much you are not experiencing, you are thinking about experiencing.

So this year I am going to DO MORE, If I am thinking, I am not living. If I am planning, I am not experiencing. If I am not experiencing, I am only imagining and I do not want this year to be a year of imagination; It will be a year of experience. 

So stop thinking, stop planning, stop watching, DO MORE.