Barry Power

Offical Site of Melodic Indie songwriter Barry Power.

Filtering by Tag: #keepdreaming

038. Whats in a name?

It ain’t what they call you, it’s what you answer to.
— W.C. Fields

Words can be so powerful, and none more so than the words we use to describe ourselves. The titles we choose to assign ourselves represent who it is we think we are. What we don’t always realise, is that held within these titles are limitations. Self imposed ideas of what we think these titles represent. Although this could be part of a much broader discussion. I’m interested in how it applies to us creative types. 

I am a guitar player. That is a name I have self assigned for more than 20 years of my life but what does that even mean? Well for me it means that I live and die by what I think of as being a good player. This of course is a total fallacy built completely on my own pre-conceived notions of what I think a good guitar player should actually be.

If I sit behind a drum kit I don’t suddenly identify myself as a drummer. However through this I am totally free to express myself on that instrument however way I want to. I can’t possibly fail because I can’t play these things anyway. There is freedom in being ignorant to all the vaults of preconception rattling around in my head that goes along with being somewhat proficient at something. 

I recently had to learn a song for a gig. The guitar part wasn’t particularly difficult but I just couldn’t figure out exactly what was going on. The reason I think was because whoever wrote the part wasn’t using traditional concepts. I don’t think they were being clever. I think it was probably due to that they didn’t learn the guitar in systematic logical way using regular scales and voicings.  This created something really unique that a so called self identified guitar player may never even think of. They made something new from a non-learned place. 

For the past few months I have been working on starting a new podcast and practicing for more regular content for my YouTube channel. I am becoming more aware that to be a modern musician requires a more holistic approach which means I need to become more comfortable with many many more titles. To become a full stack creative, so to speak, a jack of all trades, a digital renaissance man.

My plan for when I am trying to launch all these new things, that I can’t really do yet, is to try not greet them with a sense of inadequacy. Instead, embrace them with that feeling of discovery and fearlessness, like sitting behind a drum kit and not being able to play it but being cool with that. Not to put a cap on myself that a pre-ordained title would bring but to leverage that feeling when it comes to maneouvering this ever changing landscape of the utility man.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

035. Anchors

It’s easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn’t. In a lot of cases, less is more. In most cases, less is more.
— Herbie Hancock

How many tabs are open on your browser? Usually, for me, it’s a lot. So much so I get lost. I skip from one thing to the next until I’m not actually sure anymore if what I’m doing even resembles work anymore. I don’t mean that I have gotten side-tracked by my shiny object syndrome and fell down the amazon black hole; Although that definitely happens sometimes. I mean when there is too much platform hopping.

In a typical day I can usually get around 2-3 hours that I can dedicate to my own music business this includes writing and recording, so Its important that I am productive when I get that time. Typically, what happens is, I’ll start with some recording. I’ll open up logic and try to nail down one task and get it done, a bassline or maybe some mixing. As the clock is ticking I wrap that up and move onto maybe some emailing. Then a little bit of blogging and finish up with some ad copy or podcast prep. 

The point is that by the time I am done with my block of time I have jumped through several different areas. I guess it would be like someone working for a big company deciding to spend the morning in Marketing the afternoon in research and development and the evening in the canteen serving food. 

This kind of juggling is not my strong suit. I am always looking for Anchors. Anything that can keep me in the right place in terms of the specific task I am doing. I have done some research and there are several online solutions to these problems like the pomodoro technique or any amount of companies offering a get your shit together spreadsheet. But I find that the task of organising my tasks becomes another task.

Maybe its just the way my brain works sometimes I feel like that dog in the movie UP reacting to what is directly in front of me. I get so lost in the mire of bits of jobs its hard to remember what Im supposed to be doing the first place.

So this week it’s a plea for any tips, tricks and advice to help to keep on point with work tasks. I would love to hear what your Anchors are what are the things that keep you on track or anything that worked well for you.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

The brand new podcast version of this blog is now available here.

034. What have you got?

It’s better to speak your mind and tell the truth, than to stay quiet and lie to yourself.
— Anonymous

Did you ever get that feeling you have more to give than you show the world? That side of you that is pure potential? Imagine yourself on your best day. Like that feeling when you first join a gym in January you tell yourself, this time, I’m going to train five days a week and in your mind you play out your very own Rocky IV montage. (I picked Rocky IV specifically because it’s montage is the best)

Then a week or two passes and you miss a day. The next week there is an appointment and the gym day gets missed and you start telling yourself, well I missed those days so I’ll get back on track on Monday and before long the gym counts the rest of your money and you sit on the couch deflated. The more times this happens to you the more you think, “I can’t do it”, it becomes a story you tell yourself. “Im not really a gym person I tried it before and it didn’t stick”. 

This is an analogy of so many experiences in my life. Like that time when I took up Brazillian ju jitsu which I went to once then quit. The point is that, when we start something new we are full of potential about it. There is a spark somewhere even just briefly that this could be the thing that defines us. Every kid with a football thinks they could play for Man United and in their minds they can, right? Unlimited potential. Somewhere along the way life gets in the way for most us of regular people and we end up managing our expectations. Writing a story for ourselves where we are the best supporting actor not the lead role.

Where this turns really tragic is when this story of not quite, stops us from starting to do things at all. When we are so caught up and so convinced that our story is written that we don’t even try.

What if Paul McCartney had decided not to bother finishing Hey Jude or Martin Luther King decided ‘I have dream’ wouldn’t be understood. Where would you be? if your most inspirational idol let the story they tell themselves come in the way of their contribution to the world.

Now imagine how many people are denying the rest of the world something truly special because of how they feel.

I personally feel everyone has a something in them that is theirs to share with the world. A song to sing, an ear to hear, a house to build, a piece of advice to give. How much of what you have to give will be withheld by what you tell yourself? In the end you are not just holding yourself back. Ask yourself, what are you denying the world? 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

The brand new podcast version of this blog is now available here.

032. Raw Footage

When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest.
— Stephen King

Sometimes the best solution to a problem is by simply changing the angle at which you view it from.  As if someone turns on a light in a part of an overfamiliar room to illuminate your missing shoe. You knew it was there all along but couldn’t quite remember where exactly until that flick of a switch. 

Over the past few months I have been working through a book called The Artists Way by Julia Cameron. For anyone who is interested in getting a bit more creative in your life in general, I would highly recommend it. There are countless lessons to be taken from the first reading. Although, I suspect I will be revisiting this book again many times in the future. One of the most valuable I have found is the idea of creating from a place of abundance as opposed to scarcity.

I’m going to use songwriting as my example but I feel it could be applied to whatever your chosen field is.

From when I first started writing I only really saw one way to go. If I had a verse I would write the six or eight lines that I needed and then move on and write the four lines for the chorus then move on. I only ever wrote what I thought was necessary. This made the writing far more challenging than it needed to be because I was always only trying to find my best four lines. 

It never even occurred to me to write any more than what I felt I needed. Before I even put pen to paper the line had to be great, otherwise I would discard it and move on. It was this throwing away that was really my biggest mistake. It left me with almost nothing to draw from, not only this but I was totally dismissive of 99% of all my work. If it wasn’t a killer line; Bang, gone, never to be heard from again. 

The angle from which I viewed my problem changed completely by doing the very first exercise from The Artists Way. It’s called morning pages and its premise is quite simple; three pages of stream of conscious writing every day where the only goal is to write. It doesn’t matter about what, just whatever comes into your head even if that is the repeated line, “I can’t think of anything to write” or “all work and no play makes Jack a something something”. 

At first its seems so pointless, pages and pages of disparate ideas and random thoughts, but, over time it becomes something else. It’s like opening up a dialogue with yourself where you start to tune into subtle ideas and thoughts, that, had they not been written down, would be gone forever. 

I have found that part of the function of these pages is to help unblock any creative obstacles and it does that in sometimes uncomfortable ways. It was only after a few months that I found I had pages and pages of writing, way more than the brief sketches and outlines of songs I used to put into my notebooks. 

This may seem really obvious but It took me a long time to get into my head that writing and editing should not be done simultaneously, they need to be separated. The time to judge your work is not as you do it, but after the fact, when it’s done when it’s written down when it already exists. The way I work now is by fishing through all of the collective work, all those scraps, half thoughts and throwaway ideas until I can find my best four lines from that. I mean you cant have hindsight for something you never wrote down or you can’t remember.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

028.Deadlines and the accidental tourist

A deadline is negative inspiration. Still, it’s better than no inspiration at all.
— Rita Mae Brown

Deadlines, I missed one…well, actually I missed two but who’s counting? When I started writing these blogs I fell into a weekly format and that really suited me, daily is too much and monthly is too long, but weekly felt just right. When you work as your own boss or at least your own time manager keeping self-imposed deadlines can be tricky there are no real repercussions if you miss any, other than how hard on yourself you are, lucky for me I have a very understanding boss who pretty much lets me do whatever I want. This is not always helpful. Anyway, I am back in a writing chair this week and I want to give you my excuse.

I missed these particular deadlines because I had a grand notion of trying to turn the blog into a vlog and I underestimated both the time it would take and more importantly my skills as a filmmaker which are at the moment zero. I have watched movies and tv undoubtedly too much, I watch Casey Neistat’s daily vlogs. I have a HD camera in my pocket, I have pithy, epigrammatic ideas about what its like to be an independent musician in the modern age this should be easy right? 

It's like that feeling you get when your watching football, if you were to be suddenly transported to actually being the keeper would you have the real-life skills to actually make the save you were so hypercritical of from your couch? probably not, and neither was I.

I fell into that conceit of the zeitgeist, The instant fix, I was trying to do a hack. Take the red pill and wake up in the matrix where I could download a particular set of skills and instantaneously unleash my inner Stanely Kubrick (good thing I was reserved about my expectations!)

So long story short this blog is not a vlog yet but it will be evolving soon whenever I can make a deadline I can stick too!

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

025. Subjective matter

An optimist is a person who sees a green light everywhere, while a pessimist sees only the red stoplight... the truly wise person is colorblind.
— Albert Schweitzer

How do you see the world? I have often been asked this question and not for the reasons you may think, I get asked this because I have colourblindness, nothing severe or life-threatening or anything like that, it just means I'll probably never fly a plane but thanks for the concern. I have a hard time defining colours like brown and purple. I find people are so fascinated by what I see or in this case what I don’t see. I don’t really have an answer, I tell them I see the way I see. It is purely subjective to being me, just like the way you may see yellow or green is purely subjective to you.

Whatever way my genes and biology decided to organise themselves is my reality. It is how I view the world. This translates fluently into being an artist. Your view of things and how you see the world as an artist is totally unique to you. Try as you might to explain it to someone you always fall short. Just as my blue is my blue your blue is your blue. 

The only way to even come close to explaining is to show it through your work, your painting photography or in my case music (insert “but where is your music? joke here”) In a way I often see being creative as a personal attempt to try to explain that colour you can’t quite see.

The artistic process is like holding a personal mirror to the world you see. What makes it amazing is that everyone has a totally unique view of it. your art is unmakeable by anyone else. Therefore if you don’t make it, it will not exist. Think about it, there could be a whole shade of colour never quite seen by anyone except by you. If ever there was a motivation to go do something that’s it.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

024. The Why

The hardest thing is to listen to your instincts, your human personal intuition it always whispers; it never shouts
— Steven Spielberg

I sat at the piano today and I started putting together a chord progression. There was an idea I found online about changing chords in a minor key. So I put the metronome on and started cycling through the chords and singing some gibberish words over it trying to shape a melody on top. This is very typical of how I like to write. I was just about to record a little section into my phone when I realised something which may seem very obvious to other songwriters. I have even heard and given this advice before but for some reason it had never really stuck with me. I had no real Why for what I was writing other than just a technical exercise about chords. 

It is never about the how, it is always and always has to be about the Why. Anyone can put together some chords in a row, but what was I trying to say with those chords, why did I want to use them in this way. I couldn’t come up with an answer. 

The Why, in my opinion, is the most powerful element of art. There has to be the reason to see it through. Be it the unrelenting emotion bursting through or the story that you simply have to tell. What is the reason behind what you are doing and what you are creating?

For me finding the Why is the most elusive part of creating anything. Whats more it is usually the very last thing I try to do, or I mostly try to avoid it altogether.  You know sometimes when you have a really important job to do, so you make a list, and put it at the very bottom do any other job to avoid doing that one. Like, “I’ll just clean the house then I’ll do it” or “I’ll do it after I make this cup of coffee”, I’ll do it later and later and later. 

The how is easy, think about it as a filming analogy all of us have a camera in our pocket that is capable of shooting a cinema quality film. Why then are we not all filmmakers? The reason is our Why. Most of us, I would argue, would have a similar outlook to myself when I say, “but there is nothing to shoot” or “I can’t do that”. But equally look at youtube, there are millions of filmmakers and vloggers making the everyday extraordinary. They are the people that look for the story in their day, what life is trying to tell them moment to moment and shoot that.

I so often preoccupy myself with the how, because I know the how, chord structures, harmony rhythm. The Why is not so easily found and that is probably why I avoid it so consistently but that is exactly why it is so important. It gives the creedence to what you are making. It is the real truth of what you do. It the small voice of inspiration that you need to be always aware of.

Please leave a comment and let me know your WHY! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

 

If an album falls in the woods and no-one is around to hear it does it make a sound?

The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It’s like a prizefight. You get punched.
— Albert Brooks

If you have followed a few of these blogs you will have heard me ranting on about highs and lows of being a musician. But you may ask where is the actual music? If you have checked out the rest of this website you will notice there is only a couple of songs, whats going on?

Well in an effort of full disclosure here it is. I am currently working on an album which will be released later this year. I have been working on it on and off for the past seven years, so why is it taking so long?

Of course, time and money are always a big factor, but they will never be the biggest barriers to overcome. when its a labour of love, you will manage to get there somehow. I find that, for me, the thing that is actually the most difficult to get past in terms of finishing is that when It’s done I have to put it out there and invite all the scrutiny that comes along with that. Or what's worse the lack of interest that might be out there; Facing the void of obscurity.

What happens when an album by an unknown artist is released? Needles and haystacks spring to mind. As you can imagine the buzz you may be able to create for it could be ephemeral to say the least. When you weigh that up with the time and effort you spend on making it, the neurosis instinct can kick in fast. 

How do I deal with it? I do what any rational human does, I procrastinate and do the opposite of what I should in an effort to deflect the asperity.

I realise I am leaning towards the dark side a bit this week but the next time you hear a brand new song that comes on the radio maybe hesitate that extra few seconds before mindlessly skipping to something that is more familiar. You might not realise the time and effort that went into its creation.  

If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

 

 

 

 

 

 

021. Absolute beginners.

I’m an artist, and if you give me a tuba, I’ll bring you something out of it
— John Lennon

When I started to play in bands as a teenager, I was lucky enough to be adequately proficient at playing my chosen instrument, namely the guitar, that I didn’t get landed with the role of being the bass player. At the time, the bass player in the band was always the person who said, "Fine, everyone is playing the cool instruments so I’ll take one for the team and play the bass." Bass players, don’t hate me, I am going somewhere with this and besides this is what happened to Paul McCartney in the Beatles so you are in good company. 

In my experience, not one of my friends who decided to take on this, or any other instrument, has ever regretted it. Not because of the usual, learning an instrument is really rewarding stuff, but because being forced to think about the way a different instrument functions made them appreciate music in a way which they may have never gotten to otherwise. However, I think there is an even more profound side effect; Choosing a foreign instrument allowed them to be more creative.

I feel that so much of the creative decision making can be caught up in identifying yourself in a certain way. I'm a guitar player, therefore, I play like this or I try to put more and more flashy techniques into songs to prove what a good guitar player I am. I think that the people who adopted different instruments have a great luxury in whatever they play because they don’t have the weight of their own preconceived notions.

For me it's the piano, I love to play it, I love to write on it, but I would never call myself a piano player and this is the beauty of it. Because it's not me, I am free to use it in whatever way I want. If I play a weird voicing of a chord that a trained player would never use, it's fine, because I'm not a piano player; If I don’t have independence with both hands, It's fine, because I’m not a piano player.

Look at how many great songs were written by people who were not trained in music. They were free to put things in whatever way suited them. They didn’t have to be bound by the regular rules because they didn’t know what the rules were. 

I think one of the greatest ways out of a creative rut is to pick up an instrument you can’t play and write with it, or try to approach your own instrument in a new way. For guitarists I recommend playing with your bad hand I guarantee whatever you play will be unique.

If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

008. Children of the resolution

The most important thing about art is to work. Nothing else matters except sitting down every day and trying.
— Steven Pressfield

Happy new year! I Don't know how you feel about coming into a new year, but I have always found that there is a great feeling of possibility. The air is fat with promise, like the reset button has been pushed and It goes back to zero again.

And normally, I would start making plans, resolving to do things until my list gets longer and longer, but oftentimes, the longer it gets the less likely it is to happen. I swamp myself in thinking, but thinking is not doing; it is thinking about doing. There is a certain satisfaction in making a plan, it's like having a safety net. When I write something down, it is like I have already done it. But it is an illusion of control; having a plan doesn't really mean anything, it's just a list of things that are written down. In the same way, resolutions are just a list of things written down, they are not real.

Don't get me wrong; I am not against resolutions and plans in general, this is just what I have found to be true for myself. There are plenty of people out there who are amazing at resolutions, seeing them through and holding themselves accountable; it's just I am not one of them. You know the type of shoot first, ask questions later people? That is not me. I tend to ask questions first and people would have died of boredom long before I pulled the trigger.

So this year I am making one resolution and that is to DO MORE. I find that my biggest problem is that I think too much, I analyse things, I make too many lists and I have too many plans. In a way, by even making a resolution I feel like I have already set myself back. I think of all the things that I would like to achieve this year and instead of actually going out and doing them, I make a plan instead.

To get a little deeper for a minute I think there is also a philosophical parallel, if you examine life too much you are not experiencing, you are thinking about experiencing.

So this year I am going to DO MORE, If I am thinking, I am not living. If I am planning, I am not experiencing. If I am not experiencing, I am only imagining and I do not want this year to be a year of imagination; It will be a year of experience. 

So stop thinking, stop planning, stop watching, DO MORE.