Barry Power

Offical Site of Melodic Indie songwriter Barry Power.

Filtering by Tag: Influences

038. Whats in a name?

It ain’t what they call you, it’s what you answer to.
— W.C. Fields

Words can be so powerful, and none more so than the words we use to describe ourselves. The titles we choose to assign ourselves represent who it is we think we are. What we don’t always realise, is that held within these titles are limitations. Self imposed ideas of what we think these titles represent. Although this could be part of a much broader discussion. I’m interested in how it applies to us creative types. 

I am a guitar player. That is a name I have self assigned for more than 20 years of my life but what does that even mean? Well for me it means that I live and die by what I think of as being a good player. This of course is a total fallacy built completely on my own pre-conceived notions of what I think a good guitar player should actually be.

If I sit behind a drum kit I don’t suddenly identify myself as a drummer. However through this I am totally free to express myself on that instrument however way I want to. I can’t possibly fail because I can’t play these things anyway. There is freedom in being ignorant to all the vaults of preconception rattling around in my head that goes along with being somewhat proficient at something. 

I recently had to learn a song for a gig. The guitar part wasn’t particularly difficult but I just couldn’t figure out exactly what was going on. The reason I think was because whoever wrote the part wasn’t using traditional concepts. I don’t think they were being clever. I think it was probably due to that they didn’t learn the guitar in systematic logical way using regular scales and voicings.  This created something really unique that a so called self identified guitar player may never even think of. They made something new from a non-learned place. 

For the past few months I have been working on starting a new podcast and practicing for more regular content for my YouTube channel. I am becoming more aware that to be a modern musician requires a more holistic approach which means I need to become more comfortable with many many more titles. To become a full stack creative, so to speak, a jack of all trades, a digital renaissance man.

My plan for when I am trying to launch all these new things, that I can’t really do yet, is to try not greet them with a sense of inadequacy. Instead, embrace them with that feeling of discovery and fearlessness, like sitting behind a drum kit and not being able to play it but being cool with that. Not to put a cap on myself that a pre-ordained title would bring but to leverage that feeling when it comes to maneouvering this ever changing landscape of the utility man.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

035. Anchors

It’s easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn’t. In a lot of cases, less is more. In most cases, less is more.
— Herbie Hancock

How many tabs are open on your browser? Usually, for me, it’s a lot. So much so I get lost. I skip from one thing to the next until I’m not actually sure anymore if what I’m doing even resembles work anymore. I don’t mean that I have gotten side-tracked by my shiny object syndrome and fell down the amazon black hole; Although that definitely happens sometimes. I mean when there is too much platform hopping.

In a typical day I can usually get around 2-3 hours that I can dedicate to my own music business this includes writing and recording, so Its important that I am productive when I get that time. Typically, what happens is, I’ll start with some recording. I’ll open up logic and try to nail down one task and get it done, a bassline or maybe some mixing. As the clock is ticking I wrap that up and move onto maybe some emailing. Then a little bit of blogging and finish up with some ad copy or podcast prep. 

The point is that by the time I am done with my block of time I have jumped through several different areas. I guess it would be like someone working for a big company deciding to spend the morning in Marketing the afternoon in research and development and the evening in the canteen serving food. 

This kind of juggling is not my strong suit. I am always looking for Anchors. Anything that can keep me in the right place in terms of the specific task I am doing. I have done some research and there are several online solutions to these problems like the pomodoro technique or any amount of companies offering a get your shit together spreadsheet. But I find that the task of organising my tasks becomes another task.

Maybe its just the way my brain works sometimes I feel like that dog in the movie UP reacting to what is directly in front of me. I get so lost in the mire of bits of jobs its hard to remember what Im supposed to be doing the first place.

So this week it’s a plea for any tips, tricks and advice to help to keep on point with work tasks. I would love to hear what your Anchors are what are the things that keep you on track or anything that worked well for you.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

The brand new podcast version of this blog is now available here.

033. Killing it.

One of the best pieces of advice I ever got was from a horse master. He told me to go slow to go fast. I think that applies to everything in life. We live as though there aren’t enough hours in the day but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
— Viggo Mortensen

There is a certain way of thinking in the modern zeitgeist that is about being so busy and so productive so as to be almost superhuman. In fact super humans are so pervasive in our culture now that our role models can literally do impossible things. Even the word super has infiltrated our language way more than it should. I’m superbusy at the moment or this coffee is superstrong. We now have a world of go hard or go home and all the new buzzy adjectives that go along with it killing it, crushing it, owning it.

There is an ever increasing pressure to be busier and more productive. Always on top of your game grinding in those extra hours that all your rivals are not doing.  A fight like mentality, where success is some sort of aggressor to be overthrown and the only way to do it is to lay everything you have on the line constantly regardless of how this effects you and your life. Living in a perpetual state of stress. Caffeinated and adrenaline wild, making sure all these slightly out of reach deadlines are being constantly met and you are killing it everyday. I don’t think it really matters what kind of job you do either because the pressure to be always on it is a myth perpetuated by the modern age that no-one is immune to. 

I have found that conversely to this, in trying to become more creative in my life I need to be in the total opposite state of mind. I need to have the space, the quiet and the calm to let my mind wander and dream up ideas. I don’t mean in a vacant daydream kind of way. I mean in a flowing stream of consciousness kind of way. Like when you go for a walk and the solution to a problem pops into your head out of the blue. The more I hold on to deadlines and self imposed pressure to get things done the tighter Im gripping my creative flow and consequentially the less productive I am. 

Don’t get me wrong hard work needs to happen but this all pervasive attitude to be turned on all the time just seams so unbalanced and unhealthy to me. If I try to follow the chain logically then the burnout would negate any good work that I think I would be getting done. 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

The brand new podcast version of this blog is now available here.


031. Going Deep

The conscious mind may be compared to a fountain playing in the sun and falling back into the great subterranean pool of subconscious from which it rises. 
— Sigmund Freud

So its been a while, my last blog was August 15th. What have I been up to for the past two months? Well, I made a semi-deliberate decision to unplug for a while, also I just got out of the habit a bit. It stemmed from the influence of two books in particular. The first of which is The Artists way by Julia Cameron Im currently going into week eight, I can’t recommend this book highly enough. If you have an artist living inside you, this book will help you express it. Its not really a spoiler to say that the main method used in the book is to keep a morning journal, three pages of stream of consciousness writing. Through this process you gradually uncover obstacles and self-resistance to your artistic self. This process has been a real game changer for me in terms of my mindset towards writing and creating in general.

Another recommended method in the book is to take a week off from all reading material, so considering the book was written in 1992 I took this to mean in the modern age taking break from all media, social or otherwise a kind of low media diet. This one took me a few weeks to warm to, and to be honest, is still very much a work in progress. 

My second book recommendation is Deep Work by Cal Newport, another amazing book. This book argues that we are in an age where the majority of the work that we do is shallow and arguably unproductive. The reason for this are all the distractions which are not only prevalent but often encouraged. Faster email response, good social media presence etc. The problem with this is that it keeps us on the periphery, in the shallow waters.

Think of all your very favourite works of art, I mean the really influential ones, the stone cold classics. A common thread for all of these was a clear focused concerted effort to apply laser focus to the task at hand. Now try to imagine creating one of these yourself with your phone in one hand and the desktop open with all notifications turned on. How deep do you think you could go?

Ok going a little bit outside here now, but bare with me, I have a point…….I think. There are two sides to our minds the conscious and the subconscious. The conscious mind is awesome at problem solving and completing tasks, the emails, the spreadsheets the minutes for a meeting etc; The so called shallow work. The subconscious mind is where the deeper existential, artsy, bigger picture problem type thoughts live. So lets get binary and look at these two states of mind as tools i.e. one of these tools will be better at a specific task then the other. Then it would make sense to deploy what ever tool would suit best for whatever task you are currently doing, right? Well it makes sense to me anyway but I know for a fact that I am hugely imbalanced with my states of mind. 

My artistic self loves to live in subconscious mindland you know, like when you’re out for a walk and an idea or solution pops into your head, out of nowhere, without you actively thinking about it. Well it wasn’t out of nowhere, it was out of your subconscious mind. The subconscious mind loves to be free to roam, untethered to the shallow work it just does its own thing and gives us whatever we are prepared to listen too. The problem is with so many distractions I don’t prioritise giving the subconscious enough space to breathe and tend to the jobs it is best suited for, namely creating things and generating ideas.

I like to assign all my tasks to my conscious mind, to think out everything in a linear fashion. I have realised over the last few months that this approach is fine for the business, marketing organising things side but it’s kind of a disaster to my artistic side. So how do I bypass my conscious mind and access this all-knowing subconscious creative behemoth living within…..erm I don’t really know Im still figure that one out. 

But here are some of the methods I am currently trying. Turning off my phone more, not just the do not disturb button; Walking more; Meditation; Less TV; more boredom, basically denying all the cool distracting stuff. Deep work sessions, ninety minute blocks of total immersion. No email open, no phone on, just the exact specific task Im working on Songwriting, writing, whatever. Its harder than it sounds, give it a go. We are so hardwired now to be constantly engaged with our conscious mind, checking things and channel surfing, like digital magpies finding shiny stuff. Give the other half some room see what happens.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

030. The inner game of isolation or the importance of others.

No man is an island, entire of itself; every man is a piece of the continent.
— John Donne

I spoke with a good friend on the phone this week.  He is one of those people that really props you up, gives great advice and is incredibly enthusiastic about what you're doing. We talked about organising gigs and getting out there to play music for people. I found myself agreeing with but also strangely resistant to the idea. Every suggestion he made I had a slight counter for “I’m not quite ready yet,” “the albums not done,” “I need to round up musicians”. Now Playing gigs is not a foreign concept to me in fact to the contrary I have probably played in the thousands at this stage. But these are mostly cover gigs with songs pretty much guaranteed to connect with people straight away, not original music where you are trying to put across your own thoughts and feelings.

So why was I reacting like this?  I thought about it for a while and I came up with two main reasons. The first one was easy to figure out, fear, for all the neurotic musciany reasons which, if you have read a few of these blogs, you will be aware of.

But the second reason ran a little deeper than just, sing your songs and get over it. It was isolation. I am about to sound very narcissistic for the next few lines but hey it is my blog and I can say what I like (see what I did there?). Over the last year or so I have been mainly focused on establishing all my online infrastructure, photos, website, youtube this blog, social media. All with the express purpose of launching my first album and with it hopefully a sustainable music career.  When I was making all these things I had full autonomy, full control I could make it any way I liked and happily tell everyone what I was doing. In a way, I had created a little isolationist bubble that I could hang out in and was easy and safe, the online version of me which is easier to manipulate and to show.

But talking on the phone about organising the gigs and the upcoming actual release of the album hit me with a reality check that I was going to have to put my head above the parapet, to pop the bubble.  

To use a modern metaphor I spent a long time creating the perfect selfie and now I have to let everyone see my bed head. So in a lesson to myself, I will try not to disappear up my own isolationist bubble and try to remember there will always be two worlds we live in, Selfieland and Bedheadland. 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me.

 

028.Deadlines and the accidental tourist

A deadline is negative inspiration. Still, it’s better than no inspiration at all.
— Rita Mae Brown

Deadlines, I missed one…well, actually I missed two but who’s counting? When I started writing these blogs I fell into a weekly format and that really suited me, daily is too much and monthly is too long, but weekly felt just right. When you work as your own boss or at least your own time manager keeping self-imposed deadlines can be tricky there are no real repercussions if you miss any, other than how hard on yourself you are, lucky for me I have a very understanding boss who pretty much lets me do whatever I want. This is not always helpful. Anyway, I am back in a writing chair this week and I want to give you my excuse.

I missed these particular deadlines because I had a grand notion of trying to turn the blog into a vlog and I underestimated both the time it would take and more importantly my skills as a filmmaker which are at the moment zero. I have watched movies and tv undoubtedly too much, I watch Casey Neistat’s daily vlogs. I have a HD camera in my pocket, I have pithy, epigrammatic ideas about what its like to be an independent musician in the modern age this should be easy right? 

It's like that feeling you get when your watching football, if you were to be suddenly transported to actually being the keeper would you have the real-life skills to actually make the save you were so hypercritical of from your couch? probably not, and neither was I.

I fell into that conceit of the zeitgeist, The instant fix, I was trying to do a hack. Take the red pill and wake up in the matrix where I could download a particular set of skills and instantaneously unleash my inner Stanely Kubrick (good thing I was reserved about my expectations!)

So long story short this blog is not a vlog yet but it will be evolving soon whenever I can make a deadline I can stick too!

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

027. Please keep off the grass and don't feed the gurus

Don’t follow leaders and watch your parking meters.
— Bob Dylan

I just finished a documentary series The wild wild country on Netflix, all about an Indian Guru who tries to set up a utopian commune in Oregon. What struck me most about the story, which was true by the way and definitely worth checking out, was his followers, they were so devoted to him so filled with an absolute unshakable belief. Now I would consider myself a cynic, not so much that I don’t believe in people, but I don’t believe in organisations, especially ones where there is a messianic spearhead promising Shangri-la. 

I wasn’t there and I don’t know what really compels people to follow so blindly, but here's what I think. People underestimate themselves in such a profound way, they feel, like we all do, that life should be giving them so much more but that it's passing them by and they are powerless to do anything about it. How we grow up doesn’t help, we have a society where we put our sense of worth at the mercy of other people, grading, critiquing and dogmatically categorising us in generalities. So much so that we no longer have the ability to accurately assess ourselves without wanting approval and validation from someone else. Then along comes someone who seemingly has answers and can empower them to finally live the life and be the person they feel they were always meant to be.

Unfortunately, there are and will always be people who will exploit and manipulate these insecurities. These people are not just old mystics with long beards starting communes, they are people on keyboards writing alluring marketing emails and making irresistible click-bait about how you can be your best self in five easy tips. It is a seductive thought, I'll just download this ebook pdf and get my life sorted and If only it were that simple. I have folders full of ebooks by the way I am by no means exempting myself from this phenomenon. 

To sum up, I believe that we are not just capable of more than we think, I believe that we have the ability to be our own Guru’s and FITFO for ourselves, I'll leave it to you decipher the acronym.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

026. You give what you get.

Creativity requires input, and that’s what research is. You’re gathering material with which to build.
— Gene Luen Yang

I am a diarist, a very inconsistent one, but for some reason over the years, I have kept diaries of some kind. Occasionally, I end up going back through them and I start to notice the repetitive trains of thoughts and ideas. I tend to move in cycles where I swing from being totally committed and productive to the exact opposite where I let things slide for a few weeks and convince myself I’ll never get back to being productive again. For me, it's a little bit like being on a diet where I eat healthily for a few weeks, then one weekend gorge on delicious things and when Sunday rolls around decide, “well there goes the diet so I may as well not even try anymore.” and so the cycle continues. 

When I am on the bad side of the sliding scale, I’ll often turn to things that influence me more and more. I’ll stay up late watching movies or youtube videos about music theory or listen to podcasts about composing or songwriting in general. Anything to regain that spark that motivates me into action. But what if the inaction is as important as the action? What if there needs to be time and space to absorb and let the life experience strain through the mind sieve? 

The way I see it, being a creative person is like being a chef trying to make a new dish, every now and then you need to hit up the market and see what new ingredients are available. But when you have nailed down what you want to use, you still have to make it into something that is worth eating and that takes time. Unfortunately, it has its own deadlines. I can’t really decide when its a time for input or a time for output. I just try to be more aware of which time I'm in and work with that, diaries definitely help.

It is so easy to see these fallow times as being frustrating and ineffective when in reality they are a hugely necessary step in the process, well in my process anyway. 

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

025. Subjective matter

An optimist is a person who sees a green light everywhere, while a pessimist sees only the red stoplight... the truly wise person is colorblind.
— Albert Schweitzer

How do you see the world? I have often been asked this question and not for the reasons you may think, I get asked this because I have colourblindness, nothing severe or life-threatening or anything like that, it just means I'll probably never fly a plane but thanks for the concern. I have a hard time defining colours like brown and purple. I find people are so fascinated by what I see or in this case what I don’t see. I don’t really have an answer, I tell them I see the way I see. It is purely subjective to being me, just like the way you may see yellow or green is purely subjective to you.

Whatever way my genes and biology decided to organise themselves is my reality. It is how I view the world. This translates fluently into being an artist. Your view of things and how you see the world as an artist is totally unique to you. Try as you might to explain it to someone you always fall short. Just as my blue is my blue your blue is your blue. 

The only way to even come close to explaining is to show it through your work, your painting photography or in my case music (insert “but where is your music? joke here”) In a way I often see being creative as a personal attempt to try to explain that colour you can’t quite see.

The artistic process is like holding a personal mirror to the world you see. What makes it amazing is that everyone has a totally unique view of it. your art is unmakeable by anyone else. Therefore if you don’t make it, it will not exist. Think about it, there could be a whole shade of colour never quite seen by anyone except by you. If ever there was a motivation to go do something that’s it.

Please leave a comment and let me know what you think! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

024. The Why

The hardest thing is to listen to your instincts, your human personal intuition it always whispers; it never shouts
— Steven Spielberg

I sat at the piano today and I started putting together a chord progression. There was an idea I found online about changing chords in a minor key. So I put the metronome on and started cycling through the chords and singing some gibberish words over it trying to shape a melody on top. This is very typical of how I like to write. I was just about to record a little section into my phone when I realised something which may seem very obvious to other songwriters. I have even heard and given this advice before but for some reason it had never really stuck with me. I had no real Why for what I was writing other than just a technical exercise about chords. 

It is never about the how, it is always and always has to be about the Why. Anyone can put together some chords in a row, but what was I trying to say with those chords, why did I want to use them in this way. I couldn’t come up with an answer. 

The Why, in my opinion, is the most powerful element of art. There has to be the reason to see it through. Be it the unrelenting emotion bursting through or the story that you simply have to tell. What is the reason behind what you are doing and what you are creating?

For me finding the Why is the most elusive part of creating anything. Whats more it is usually the very last thing I try to do, or I mostly try to avoid it altogether.  You know sometimes when you have a really important job to do, so you make a list, and put it at the very bottom do any other job to avoid doing that one. Like, “I’ll just clean the house then I’ll do it” or “I’ll do it after I make this cup of coffee”, I’ll do it later and later and later. 

The how is easy, think about it as a filming analogy all of us have a camera in our pocket that is capable of shooting a cinema quality film. Why then are we not all filmmakers? The reason is our Why. Most of us, I would argue, would have a similar outlook to myself when I say, “but there is nothing to shoot” or “I can’t do that”. But equally look at youtube, there are millions of filmmakers and vloggers making the everyday extraordinary. They are the people that look for the story in their day, what life is trying to tell them moment to moment and shoot that.

I so often preoccupy myself with the how, because I know the how, chord structures, harmony rhythm. The Why is not so easily found and that is probably why I avoid it so consistently but that is exactly why it is so important. It gives the creedence to what you are making. It is the real truth of what you do. It the small voice of inspiration that you need to be always aware of.

Please leave a comment and let me know your WHY! and If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

 

If an album falls in the woods and no-one is around to hear it does it make a sound?

The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It’s like a prizefight. You get punched.
— Albert Brooks

If you have followed a few of these blogs you will have heard me ranting on about highs and lows of being a musician. But you may ask where is the actual music? If you have checked out the rest of this website you will notice there is only a couple of songs, whats going on?

Well in an effort of full disclosure here it is. I am currently working on an album which will be released later this year. I have been working on it on and off for the past seven years, so why is it taking so long?

Of course, time and money are always a big factor, but they will never be the biggest barriers to overcome. when its a labour of love, you will manage to get there somehow. I find that, for me, the thing that is actually the most difficult to get past in terms of finishing is that when It’s done I have to put it out there and invite all the scrutiny that comes along with that. Or what's worse the lack of interest that might be out there; Facing the void of obscurity.

What happens when an album by an unknown artist is released? Needles and haystacks spring to mind. As you can imagine the buzz you may be able to create for it could be ephemeral to say the least. When you weigh that up with the time and effort you spend on making it, the neurosis instinct can kick in fast. 

How do I deal with it? I do what any rational human does, I procrastinate and do the opposite of what I should in an effort to deflect the asperity.

I realise I am leaning towards the dark side a bit this week but the next time you hear a brand new song that comes on the radio maybe hesitate that extra few seconds before mindlessly skipping to something that is more familiar. You might not realise the time and effort that went into its creation.  

If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

 

 

 

 

 

 

021. Absolute beginners.

I’m an artist, and if you give me a tuba, I’ll bring you something out of it
— John Lennon

When I started to play in bands as a teenager, I was lucky enough to be adequately proficient at playing my chosen instrument, namely the guitar, that I didn’t get landed with the role of being the bass player. At the time, the bass player in the band was always the person who said, "Fine, everyone is playing the cool instruments so I’ll take one for the team and play the bass." Bass players, don’t hate me, I am going somewhere with this and besides this is what happened to Paul McCartney in the Beatles so you are in good company. 

In my experience, not one of my friends who decided to take on this, or any other instrument, has ever regretted it. Not because of the usual, learning an instrument is really rewarding stuff, but because being forced to think about the way a different instrument functions made them appreciate music in a way which they may have never gotten to otherwise. However, I think there is an even more profound side effect; Choosing a foreign instrument allowed them to be more creative.

I feel that so much of the creative decision making can be caught up in identifying yourself in a certain way. I'm a guitar player, therefore, I play like this or I try to put more and more flashy techniques into songs to prove what a good guitar player I am. I think that the people who adopted different instruments have a great luxury in whatever they play because they don’t have the weight of their own preconceived notions.

For me it's the piano, I love to play it, I love to write on it, but I would never call myself a piano player and this is the beauty of it. Because it's not me, I am free to use it in whatever way I want. If I play a weird voicing of a chord that a trained player would never use, it's fine, because I'm not a piano player; If I don’t have independence with both hands, It's fine, because I’m not a piano player.

Look at how many great songs were written by people who were not trained in music. They were free to put things in whatever way suited them. They didn’t have to be bound by the regular rules because they didn’t know what the rules were. 

I think one of the greatest ways out of a creative rut is to pick up an instrument you can’t play and write with it, or try to approach your own instrument in a new way. For guitarists I recommend playing with your bad hand I guarantee whatever you play will be unique.

If you like this post please consider joining my mailing list here, where I'll keep you up to date with whats going on with me. There will be access to bonus content and a free song! 

016. Slow is fast

We are what we repeatedly do. Excellence, then, is not an act, but a habit
— Aristotle

Did you ever notice how in movies about time travel, everyone is really worried about how one small action in the past can throw off the whole space-time continuum, yet nobody is really worried about their small actions in the present? These small actions when compounded are the ones that make for the big ideas and the big achievements but in order to have them lead to something tangible, you have to be consistent. Through time and repetition, the big moments will realise themselves. 

But this small consistent momentum is so far from the modern approach of, "I'm sure there is a hack for that." It can be a real challenge to enjoy the incremental. Even though I know the rewards are so much deeper in the long run, I kind of just want to be good at something straight away. It's like when you cram for an exam, the result might be really good but the knowledge is only at surface level, it is never really internalised.

I think it is a question of integrity and how deeply I would like to experience the things I find important in my life. The more I find hacks for things, the more I only experience them on the surface. I think it is in the small daily actions that you can gain a profound depth and insight into your life experience.

Why then is so easy to avoid these small things in the day, to make excuses and to not follow through? If they are so small then they should be easy to do right? For me, I feel it is the weight of expectation that comes with them. You go to the gym once and suddenly in your mind, your going six days a week and in amazing shape, then you miss a day and that's it, you quit. The emphasis is no longer on getting to the gym for that one day, it's that now you can't do your imaginary six days. 

I think what I am trying to say is that, for me, I find the choice to practice something daily, be it  writing, playing guitar or even not having a muffin with coffee, can be simultaneously the easiest and most difficult decision as it holds both the most pedestrian and the most extraordinary.

 

 

 

 

014. Something good

Looking back over the last few months of writing a weekly blog, I have noticed a couple of things. Firstly, I surprised myself with how much writing has been a cathartic process for me. There is a certain satisfaction in setting a weekly deadline and seeing what I can come up with each week. Secondly, I noticed that the last couple of posts in particular, have been about the problems and difficulties I was experiencing and had a more negative viewpoint. I realise that liberating as it may be, some may say it plain narcissistic to write about myself every week. I also want to be careful not to make this platform my own personal soapbox where every post has a new gripe.

So in that spirit, this week I want to talk about something positive. I feel there is a brand new cultural movement underway and it is enabling people to be creative in various fields all at once, like a kind of digital renaissance. There are amazing people out there changing how we look, feel and interact with the world through art. I am inspired daily by these incredible people who are redefining what culture and art is. What’s more, I can access these people directly whenever I want. For me, there has never been a better time to be a creative person than today. I feel very fortunate to be able to hold this view, I know it is probably not the most common one. I also feel very grateful to be even able to peruse this dream of engaging in this new rebirth. 

My list is long and these are just a few of the people who are blazing a trail for me. if you are a musician or a creative in general, I highly recommend checking some of these people out they are all linked here. (In no particular order) 

Adam Neely, Rich roll, Mark Lettieri, Samurai Guitarist, Rick Beatoindeprener, The savvy musician, Jacob Collier, Joe Rogan, Groundup music, Holistic songwriting, Reverb

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005. Under the influence

The real beginning of influence comes as others sense you are being influenced by them - when they feel understood by you.
— Stephen R. Covey

 All week I have been racking my brain about how to approach this post. You see, the idea I have is a kind of philosophical observation and these ideas are difficult to explain, especially by me! So this weeks blog comes with a disclaimer; I am attempting a big idea.  I will probably fall short and it will take a big leap to get on the wavelength with this one, but I definitely think there is something in it.

(You can always just listen to the song at the bottom)

Ok here goes;………

From when we are born we start to understand ourselves through the influence of others. We see someone walking and we try to copy them until we can walk ourselves then we keep doing it until it becomes our own natural movement we internalise it, it is now ours.

As  musicians, we follow the same process. We learn our instrument, how to write and how to understand by copying the influence of others who inspire us; Until one day we internalise it and make it our own. 

Ok, here's where it is going to get far out. Where do our influences come from? The first music started somewhere in the prehistoric period and subsequently each generation influenced the next, who  in turn internalised it and changed it to represent themselves. This process grew and grew exponentially all over the world until we have all the variations of music that influences us today. So you could say that when you listen to music you are listening to the result of influences on the whole human race since the beginning of time. 

Did you ever get a song stuck in your head but couldn't figure out why? Me too; Most of the time it is a random song that doesn’t seem to have any relevance on my life, but every once in a while a song gets into my head in a way that seems a bit deeper.

This happened to me recently when I saw an ad for The Blue Planet 2 and the soundtrack was a Radiohead song called Bloom. It was a reworked version with the film composer Hans Zimmer. They were influenced by the concept of pointillism in art, which is a series of tiny dots which when looked at as a whole makes a picture. A perfect analogy for influences? 

So, whether it was the history of the world conspiring or just finding meaning in random coincidence; I had to do a version of the song, a reworking of a reworking, an influence of an influence.